In Formation, ideas become solid objects and vice versa, as if shape is a thought form and these forms are imprinted on our memory. The film was created from hundreds of analog photographs, compiled directly from the camera roll without any editing. Iteratively etched into the prints’ surface are contour drawings of different objects; a conjoined pyramid, a sphere, that shift and travel as the film plays. Like an incantation, the film returns again and again to the shape of something that perhaps can’t be seen at all, always out of view.